If you're even remotely into movies, you've probably heard of Christopher Nolan. It's no wonder, since his name is behind major movie hits, such as the Batman trilogy ( Batman Begins, 2005 ; The Dark Knight , 2008 and The Dark Knight Rises , 2012), Inception (2010), Interstellar (2014), Dunkirk (2017).
The British film director, screenwriter and producer, and his 10 films have grossed over US$4.2 million so far. But what's behind all this prestige? Nolan has certain characteristics as a director that make his films stand out from the crowd. Take a look:
Simplicity
Contrary to Hollywood productions, full of complex visual effects, Christopher Nolan follows a line closer to minimalism, where movements – minimal – are only made if absolutely necessary. All this to avoid distracting the viewer from the main point of the work: the story.
Realism
Another very striking characteristic of his films is that he approaches realism as closely as possible, where it could be achieved more easily through artifice. For example, in scenes from Inception, Nolan chose to create real explosions, instead of relying exclusively on computer graphics, and then working on the scenes in post-production. This helps to provide a realism that is crucial for those who are inciting the audience to question reality. Another example of this is his Batman trilogy, where the Batcave was actually built underground, to make it as close as possible to a cave.
Shadows
Typically, the characters' faces are illuminated from both sides brazil phone number data by the main light. But not in Christopher Nolan's productions. The director likes to play with the play of light and shadow, leaving practically 3/4 of the character's face in shadow, as this helps to explore the character's true nature.
Wide field of view
Nolan often shoots many of his productions in 65mm, which provides a wider field of vision. Combined with the incredible locations that are often chosen for filming, the feeling is that he creates extraordinary places.
Plans
Instead of creating several wide shots and close-ups during a dialogue between characters, the director usually uses a medium shot, where the face of the person speaking, the face and shoulders of the recipient and a little of the surrounding environment appear. However, throughout the conversation, with each change of speaker, the scene gets closer and closer to the characters' faces, very subtly, giving the impression that the viewer is delving deeper into the subject with them.
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