What will become of Milo the Celt? you wonder, trembling. Don't panic, dear readers: I'm getting there.
Let's go 10 years later, to Londinium, while the city is swept by rain (obviously), which reminds us once again that in 2014, with a budget of 100 million dollars, we know how to make an exploding volcano but still not a downpour since we can clearly distinguish in the water that falls the movements of the garden hose that is agitated above. No matter: in the city arena, a slave trader wonders about the gladiators he will soon take to Pompeii, a prosperous city in Italy, and for the moment, he is disappointed, even downright c level executive list grumpy. Indeed, in front of him, the fights are quickly settled: three Thracians give their beating to everything that is thrown in front of them. At least, until Milo appears.
Now simply nicknamed "The Celt," Milo has grown up and developed abs, much to the delight of heterosexual female spectators, homosexual male spectators, and cinema seat cleaning companies.
And he knows how to fight really well, because without losing his coolness, and before anyone can make the slightest pun, he throws down his sword and goes back to the tunnels under the arena without saying a word because he's like that, mysterious and classy, but yeah. The slave trader, amazed by this attitude which is reminiscent of the greatest hours of the series The Rebel therefore obviously decides that he will take him to Pompeii, otherwise, the film would have been a little more complicated. Since we're still warm, let's speed up time a little more and go to Pompeii where the long column of slaves destined for the arena advances on a wet dirt road, while next to it, a cart slowly advances.
Suddenly, tragedy strikes: one of the cart's wheels hits a pterodactyl's nest (a sort of large pothole, in technical terms), and one of the two horses in the team falls flat on its face like a dunghill. He remains on the ground, whinnying like a common football player.
He gives the three Thracians a ratatouille
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