Forget about those crazy demands you hear. Usually, when we work with celebrities on set, they have few demands in the dressing room and are there to do the job that was agreed upon.
Therefore, if you have been chosen to direct a production that involves a well-known talent, a celebrity or a global actor, keep a few points in mind:
BE DIRECT
They are human. They fail, make mistakes, forget and get tired. They are usually very familiar with the set, so quickly introduce key people like the Assistant Director and the Head of Production so that they can communicate if something happens.
HAVE THE CONTRACT ON THE TIP OF YOUR TONGUE
One of the things that often causes stress on set when belize phone number data working with celebrities is the issue of working hours. There are different contracts and it is important to know how many hours the artist is hired for, and whether lunch, dinner, and makeup time are included in that workload.
Be clear about how long it will take to get ready for makeup and costumes. Some actors/actresses have long preparation times, while others tend to be very quick.
Another important point about the contract is: did the celebrity require a teleprompter, electronic pointer or any specific resource? This needs to be in the contract and you should be aware of it.
DON'T TRY TO IMPRESS
It's very common when new directors start producing films with renowned talents, that they change their stance and try to prove that they are the ultimate authority on the set. Celebrities don't care... They've worked with all kinds of directors and producers, and they've seen all kinds of ego battles. Focus on the film, on the delivery, and be objective.
NO TIME FOR SELFIES
Talk to the crew, explain who the artist is who will be on set with you and ask them to put the fandom aside. If there is an opportunity at the end of the day, then everyone can take a group photo. The focus needs to be on delivering the film impeccably.
IF POSSIBLE, ASK TO BE INTRODUCED BEFORE THE DAY OF RECORDING
It’s not always possible, but when I’m directing a project, even a small one, with some talent, I ask to be introduced to the manager and the celebrity. Sometimes a quick chat about what the set will be like and what the expectations for the film are can save you a lot of work. Artists like to know who they’re working with, so even if that conversation isn’t possible, I ask to be introduced to my bio.
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